top of page
Papers
2023

Mariela A. Porras-Chaverri: Artivism from the Art-Science Binomial. Women Watching Women, IX Edition, 2023.

Insertion and Legitimization of the Tattoo in Contemporary Art. Museum of Contemporary Art and Design, 2022.

Heart Howls: Feminist Latin American Performance in Revolt. New York, The Shelley & Donald Rubin Foundation. 2022.

The Aesthetic Dichotomy Between East and West In The Novel My Name is Red by Orhan Pamuk. Tropelías(38), 355-373. 2022.

Man Yu. Biography. San José: Universidad Creativa Editorial. 2022.

Reflections on the History, Legitimization, and Insertion of Tattooing in Contemporary Art. Art, Culture and Society(1), 1. 2021.

An LGBTIQ + Look at Man Yu's Artwork. Tatiana Muñoz Brenes looking at Man Yu. Women Watching Women, VII Edition, 2021.

The Museum as a Decolonizer Community Space: The Case of the MIO Museum in Costa Rica and the Recovery of LGBTIQ+ Memory . Text in collaboration with Bonilla-Merchav, L. In Decolonizing Museolog, pp. 268-283. Edition of Brulon, B. Paris: International Council of

Museums (ICOM), 2020.

An Apology for Textual Infidelity. Translation as a Perversion. El Detalle, Centro Cultural España. 2020.

Second Comment. "Some Words for Peter Pan". In The Poem, Flower of Nothing: 15 Comments to the poetry of Leopoldo María Panero. Edited by Javier Huerta. Madrid: Sial-Pigmalión / Fundación Universitaria Española, 2020.

- Review by Luis Miguel Suárez Martínez for Astorga Redacción.

- Review by Julio Escribano Hernández for Cuadernos para la Investigación de la Literatura Hispánica.

A Day in the Life of a High Middle Ages’s Peasant Family: A Collective Mental Diary. Estudios Journal, No. Extra (Issue dedicated to: The broad spectrum of humanism: methodology, stories and other stories), pp. 117-140. Universidad de Costa Rica. 2018, July.

Sculpture "The Flagellation of Christ", Museum of Santo Domingo in Antigua Guatemala. In: González Kreysa, A. M. De santeros e imagineros: The origins of sculpture in Costa Rica, p. 55.

Editorial de la Universidad Estatal a Distancia, Costa Rica. 2018.

Community, Crafts and Culture: Empowering Indigenous Communities . Text in collaboration with Brown, K .; Brown, JA & Soto, A. In: Heritage 2018 . Proceedings of the 6th International Conference on Heritage and Sustainable Development. Volume 1, pp. 667-687. Green Lines Institute & Editorial de la Universidad de Granada, Spain. 2018.

The Filial Manifesto of Leopoldo María Panero. A Psychoanalytic Reading of El lugar del hijo . Astorica Journal, Year XXXII, No. 34, pp. 203-222. Leon, Spain. 2015.

ORCID

2015

Alina González, "Tatiana", 2020, graphite on canson paper

bottom of page